Rating: 3/5 Stars (Three stars)
Star cast: Amitabh Bachchan, Boman Irani, Parth Bhalerao
Director: Nitesh Tiwari
What’s Good: The noble intention, a terrific child artist and the quick laughs in the film’s first half.
What’s Bad: The perennial problem of a dwindling second half and the over the top climax.
Loo break: Few post interval.
Watch or Not?: If intentions defined good films,
Bhoothnath Returns
will score full marks. The film’s tempo escalates the interest of the
audiences, but scrambles frame by frame in the second half, diluting the
impact of its climax. The multiple fractures might seem deterring but
Amitabh Bachchan and his young co-star Parth share an enticing
camaraderie, delivering lines with a swagger that will allure you to hit
the theatres for it alone. Though quite a watchable film, the
lamentable bit is that it had massive potential to be smashing but fails
due to the overbearing melodrama. As Big B says in a scene to a fellow
ghost about bhoot world, “zyada expect mat kijiyega” fits valid for us.
Kailash Nath (Amitabh Bachchan) after his wonderful time with Banku
leaves for the Bhoot world. Surprisingly by then he was already a
popular person in the other world, quite infamous for his inability to
scare off a young kid. The management helps him save face from the
embarrassment and he is sent back to earth to clear off his name.
He bumps into Akhrot (Parth) a young boy who could see Bhoothnath and
befriends him. A slum dweller in Dharavi, Bhoothnath is faced with the
hard realities faced by zillions there because of the local politician’s
corrupt ways. The disturbing situation and Akhrot’s insistence pushes
him to contest the elections. Since the Indian constitution doesn’t
mention anywhere that the contestant must be living, the election
commission too admits his candidature.
But who will vote for a ghost? The film tells the story of
Bhoothnath’s election journey and whether people even accept a leader
they can’t see.
Parth Bhalerao and Amitabh Bachchan in a still from movie ‘Bhoothnath Returns’
Bhoothnath Returns Review: Script Analysis
The film starts off from the conclusion
of its first part, following the journey of Kailash Nath to Bhoot world.
He has become a butt of jokes for being unable to scare off Banku. As
the trailer had suggested he is sent back to earth to clear his name but
the ‘technical fault’ of the Bhoot machinery results in a similar fate
for Bhoothnath who befriends a street urchin named akhrot.
The Banku escapades six years ago was a
delight but does the same work this time again. In parts. The story
isn’t a simple good ghost story but it transformed into a political
satire soon into its screentime. Written fluidly, infusing enough
intelligence in the pre-interval, it turns into a convoluted concoction
of sappyness and melodrama towards the climax. Probably a well thought
and taut climax could have made the film more lucid.
It was impressive when an ordinary tale
was tackled wittily to pass a social commentary on the rampant
corruption in our country. Though realism is the last thing you expect
in a supernatural comedy and we who have made a hero out of the wizard
named Harry Potter should be the last people to complain about the lack
of reality. The franchise’s second edition is more meaningful than just
‘entertainment, entertainment and entertainment’. The writing is surely
fresh and must have used heavily the sharpness of its writers.
Though extremely feel-good, the film does have its own minus points.
The film takes the simple route out and everything falls in place rather
conveniently. Hiccups ironing out with such ease does seep in the
implausible feeling in the story. For instance, a ghost contesting the
election isn’t a regular fare and though there is no specific clause
that states the contestant should be a living man, there surely is a
clause which says that the contestant should be a voter. This potent
dilemma ties up in no time and as blown over as you’ll be with how the
problem finds a solution, something will seem superficial here for you.
The film is parlous endearing, compelling for its hilarious punches
and witty one liners. Even the slackening pace is never a mood dampener.
But only when the film hits melodrama and converts into an infomercial
on voting rights, you’re left stranded in just another news
advertisement on why should you vote. Outright classroom preachy, the
film not only lectures you on your duty to vote but also allows logic to
fly out of the window as the climax advances. With such substantial
matter at hand, a lot more meaningful film could have been made. But the
writers settle for mediocrity and allows their product to end in an
overdramatic, stagy and hammy vein leaving the audiences somber.
Bhoothnath Returns Review: Star Performances
Amitabh Bachchan is a superstar in every
possible way. His ability to handle the toughest of scenes with ease
makes him the seasoned actor he is. He is bewitching for most part and
though there are instances where you’ll find him sleepwalking through
scenes, it doesn’t affect the film too gravely as he balances it all
with his overpowering gravity and brilliant screen presence.
It will be a big statement to make if we say that Parth Bhalerao at
many cues steals the show from Senior Bachchan. But the kid almost does.
He is brilliant and whoever found the kid for this role should be
praised for the pitch perfect casting. As Akhrot, he ‘overacts’
wonderfully and it works rightly.
Boman Irani’s interesting slimy is winsome. He is fascinating in his
role and adds more shades to it than what existed. Probably giving him a
little more screen space would have helped the drama because his
anti-chemistry with Bachchan is imperishable.
Sanjay Mishra in his little role too is goodly and adds to making the dialogues and sequences at many places.
Bhoothnath Returns Review: Direction, Editing and Screenplay
The film is a pile on to the cases that
suffer the curse of the dull post interval fate. Nitesh Tiwari is
definitely way more talented than Vivek Sharma who played safe by
allowing the story remain simple. Tiwari goes the bold way and attempts
to add layers to an uninteresting story. Luckily, Tiwari understands the
meaning of sequel which isn’t a cut, copy, paste version of the first
part but a furthering of the plotline not only in terms of the lapse in
time but also adding meat to the story.
But Tiwari hasn’t made a great film. Despite having an incredible
story at hand and a flattering cast to back him, the film’s screenplay
loses steam over time ending in a dull affair.
Bhoothnath Returns Review: The Last Word
Bhoothnath Returns is
lightyears ahead of its first part. Told like a socio-political satire
in the first half, it suffers when the humor runs out leaving behind an
overdramatic climax. For the intelligent story and the umpteenth laughs
of the first hour and mostly Parth & Big B’s impervious chemistry,
the film deserves a watch. I am going with a 3/5. Could have been
octaves ahead but doesn’t soar adequately.
Sonakshi Sinha and Parineeti Chopra are Bollywood contemporaries and competing for similar roles.Both Sonakshi and Parineeti have done well on the big screen but poorly on the red carpet. These, however, could be the only thing they have in common.They have completely opposite preferences while choosing their co-stars.While Parineeti has worked with newcomers, Sonakshi has taken the route to success by co-staring with top male actors.The `Ishaqzaade` had earlier actor said created a controversy by saying that she had chosen to turn down films with the Khans since there wasn`t much for her to do in them. She wanted to do films where she could showcase her acting skills.This is in absolute contrast with Sonakshi`s approach to achieving success and fame in Bollywood. The `Holiday` actor however has no problems in working with the big guns in Bollywood. Working with them has helped her career and she has nothing to complain about, she had said in an interview. It is hard have it all, to top the box office and put out some quality work, for the younger female actors in Bollywood.
